Submissions from 2019
The Reader, Chelsea Wagenaar
Submissions from 2018
Review: The Literature of Reconstruction: Not in Plain Black and White by Brook Thomas, Martin T. Buinicki
BDS and Palestinian Theatre Making: A Call for Debate within the Discipline of Theatre and Performance Studies, Rayya El Zein, Irene Fernandez Ramos, George Potter, and Gabriel Varghese
Fostering Meaningful Collaboration in an Interdisciplinary Capstone Course, Liz Hutter, Halcyon M. Lawrence, Melinda McDaniel, and Marguerite Murrell
Review: Forms of Conflict: Contemporary Wars on the British Stage by Sara Soncini, George Potter
Pandarus and Troilus’s Bromance: Male Bonding, Sodomy, and Incest in Chaucer’s Troilus and Criseyde, Richard Sévère
Salt Furnace (Southern Reliquaries), and: Aubade with Horses (Fort Worth Impromptu II), Mark Wagenaar
On an Age-Old Anvil: Wince and Sing, Walter Wangerin Jr
Submissions from 2017
Invisible Seasons: Title IX and the Fight for Equity in College Sports, Kelly Belanger
Seeing the Whole Person: Review of Uzodinma Iweala's Speak No Evil, Hannah Langhoff
A Tale of Two Jordans: Representing Syrian Refugees Before and After 2011, George Potter
Forty-Five Minutes that Changed the World: The September Dossier, British Drama, and the New Journalism, George Potter
Jihad Against Violence: Oh ISIS Up Yours! by Fawzia Afzal-Khan, George Potter
Differences Across Levels in the Language of Agency and Ability in Rating Scales for Large-scale Second Language Writing Assessments, Salena Sampson Anderson
Breaking the Silence, Allison Schuette
Bodhisattva Training, Allison Schuette, Sophfronia Scott, and Susanna Childress
The Absolute, Relatively Inaccessible, Walter Wangerin Jr.
Wounds Are Where Light Enters: Stories of God's Intrusive Grace, Walter Wangerin Jr.
Submissions from 2016
Review: Walt Whitman 's Selected Journalism. Ed. Douglas A. Noverr and Jason Stacy, Martin T. Buinicki
Home before History: American Domestic Drama in a Post-9/11 World, George Potter
Political Performance in Syria: From the Six-Day War to the Syrian Uprising, George Potter
The Third Identity: An Interview with Tareq Abu Kwaik, George Potter
A Charm for Protection from the Protectors, Mark Wagenaar
Beate Not the Poore Desk, Walter Wangerin Jr.
Submissions from 2015
Walt Whitman, Martin Buinicki
Postmodernity, and Digital Memory versus Human Remembering in M.T. Anderson's Feed, Carter Hanson
The Springfield Fire Department Reminds You to Be Prepared for Earthquakes, Marci Rae Johnson
(De)constructing the Neoliberal State: Jordanian Cinema in Times of Crisis.”, George Potter
In the Belly of the Whale, Allison Schuette
Learning Styles and Strategies for Language Use in the Context of Academic Reading Tasks, Karl Uhrig
Everlasting is the Past, Walter Wangerin Jr.
Submissions from 2014
The “local habitation” of Marian Intercession in Shakespeare ’s Plays of Justice and Mercy, Elizabeth Burow-Flak
Cradles, George David Clark
A Dictionary of Theories, Marci Rae Johnson
Cave of the Hands, Marci Rae Johnson
Comparable Objects of Worship, Marci Rae Johnson
Friendship is Magic, Marci Rae Johnson
I Take a Surreal Walk with Mary Olive, Marci Rae Johnson
Jesus Accelerates a Particle, Marci Rae Johnson
Jesus Heals a Woman in the Crowd, Marci Rae Johnson
Packing for the Apocalypse, Marci Rae Johnson
Paul, On the Road Again, Marci Rae Johnson
Tests Show Saints’ Skeletal Remains at Louisville Catholic Church May Be Authentic, Marci Rae Johnson
The Crusaders, Marci Rae Johnson
The Faith of the Roman Centurion, Marci Rae Johnson
The Springfield Fire Department Offers Turkey Fryer Safety Tips, Marci Rae Johnson
Submissions from 2013
Genitive Variation in Old English Verse with Special Attention to Beowulf, Salena Sampson Anderson
Memory's Offspring and Utopian Ambiguity in Ursula K. Le Guin's "The Day Before the Revolution" and The Dispossessed, Carter F. Hanson
Causal Theory of Memory, Marci Rae Johnson
Complete Instructions for Playing Amazing Grace on the Bagpipe, Marci Rae Johnson
Jung's Shadow with Matthew 4:16, Marci Rae Johnson
Karl Marx Updates His Facebook Status, Marci Rae Johnson
Mr. Rogers Is Flipping You Off, Marci Rae Johnson
Sea of Galilee: Aerial View, Marci Rae Johnson
Take the Plank Out of Your Own Eye, Marci Rae Johnson
The Eyes The Window: Poems, Marci Rae Johnson
The Parable of the Great Banquet, Marci Rae Johnson
T.S. Eliot Buys One and Gets One Free, Marci Rae Johnson
Like Grief to the Aching Side of Love, Allison Schuette
The Second Book of the Dun Cow - Lamentations, Walter Wangerin Jr.
The Third Book of the Dun Cow - Peace at the Last, Walter Wangerin Jr.
Submissions from 2012
The Embodied Word: Female Spiritualities, Contested Orthodoxies, and English Religious Cultures, 1350-1700 (review), Elizabeth Burow-Flak
Critical Vision: Word and Image in the Postmodern Age, Sara R. Danger
Desk with Window Frame and Heaven, Marci Rae Johnson
Submissions from 2011
Labyrinths of Words and Wonder, Sara R. Danger
Submissions from 2009
Producing the Romance of Mass Childhood: Kate Greenway's Under the Window and the Education Acts, Sara R. Danger
The Bonnet's Brim: The Politics of Vision in Frances Trollope's Domestic Manners of the Americans, Sara R. Danger
The Utopian Function of Memory in Lois Lowry's The Giver, Carter F. Hanson
Submissions from 2006
John W. De Forest's 'Miss Ravenel's Conversion' and the Limits of Sentimental Citizenship ('Miss Ravenel's Conversion from Secession to Loyalty'), Martin T. Buinicki
Submissions from 2004
Still Here, but Still English: R.E.W. Goodridge and the Performance of Nationality in English Canadian Emigrant Writings, Carter F. Hanson
Submissions from 2003
Walt Whitman and the Question of Copyright, Martin T. Buinicki
Shakespeare and the Book (book review), Elizabeth Burow-Flak
'After Leaving the Hotel', Edward Byrne
Submissions from 1998
The Caribbean-American Connection: A Paradox of Success and Subversion, Renu Juneja and J. Kingsland
Submissions from 1992
Recalling the Dead in Scott, Dennis an `Echo in the Bone', Renu Juneja
The Native and the Nabob - Representations of the Indian Experience in 18th-century Literature, Renu Juneja
Submissions from 1990
Representing History in the `Jumbie Bird' + Khan, Ismith, Renu Juneja
Submissions from 1989
We Kind of Music + Calypso and Mass-culture, Renu Juneja
Submissions from 1988
The Trinidad Carnival - Ritual, Performance, Spectacle, and Symbol, Renu Juneja
Widowhood and Sexuality in Chapman the `Widows Tears', Renu Juneja
Submissions from 1987
Identity and Femininity in Desai, Anita Fiction, Renu Juneja
