Follow

Submissions from 2019

Foreword to Johannes Brahms, Hungarian Dances, WoO 1, Nos. 1 and 5 for Cello and Piano, Katharina Uhde

Link

Review of Brahms’s three Violin Sonatas and Scherzo from the F. A. E. Sonata; and Performance Practices in Brahms’ Chamber Music by Clive Brown, Neal Peres Da Costa, and Kate Bennett Wadsworth, Katharina Uhde

Joseph Joachim and the Aesthetic of Inwardness, Katharina Uhde and R. Larry Todd

Submissions from 2018

Link

Communal Formation at the Chapel of the Resurrection at Valparaiso University, Valparaiso, Indiana, Lorraine Brugh

Link

Music in the Academy: Process, Product, and the Cultivation of Humanity, Linda C. Ferguson

Link

May I walk in beauty: Reflections on the Indigenous writings of Carolyn Kenny, Sangeeta Swamy

PDF

Music, Myth and Motherland: Culturally Centered Music & Imagery, Sangeeta Swamy

Link

Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra, Katharina Uhde

Link

Joseph Joachim, Katharina Uhde

Link

The Music of Joseph Joachim, Katharina Uhde

Link

Joachim and Musical Solitude, or, the Beginnings of the Ciphers F-A-E and Gis-e-la, Katharina Uhde and R. Larry Todd

Submissions from 2017

Link

Practice for Performance for Violin, June Deforest

Link

Niccolò Paganini. 24 Capricci per Violino solo op. 1; 24 Contradanze Inglesi per Violino solo . Edited by Daniela Macchione. Bärenreiter-Verlag Urtext. Kassel: Bärenreiter-Verlag Karl Vötterle GmbH und Co. KG, 2013. xviii+58 pp., violin part BA 9424, € 16,95., Katharina Uhde

Link

Preface for Score Edition/Vorwort für die Orchesterpartitur, Katharina Uhde

Link

Rediscovering Joseph Joachim’s ‘Hungarian’ and ‘Irish’ [‘Scottish’] fantasias, Katharina Uhde

Submissions from 2001

PDF

The History of Saxophone in St. Petersburg, Russia., Stacy Maugans