Submissions from 2019
Foreword to Johannes Brahms, Hungarian Dances, WoO 1, Nos. 1 and 5 for Cello and Piano, Katharina Uhde
Review of Five Bärenreiter Scores, Katharina Uhde
Score Review, Katharina Uhde
Joseph Joachim and the Aesthetic of Inwardness, Katharina Uhde and R. Larry Todd
Submissions from 2018
Communal Formation at the Chapel of the Resurrection at Valparaiso University, Valparaiso, Indiana, Lorraine Brugh
Music in the Academy: Process, Product, and the Cultivation of Humanity, Linda C. Ferguson
May I walk in beauty: Reflections on the Indigenous writings of Carolyn Kenny, Sangeeta Swamy
Music, Myth and Motherland: Culturally Centered Music & Imagery, Sangeeta Swamy
Fantasy on Hungarian Themes (1850), Fantasy on Irish [Scottish] Themes (1852) for Violin and Orchestra, Katharina Uhde
Joseph Joachim, Katharina Uhde
The Music of Joseph Joachim, Katharina Uhde
Joachim and Musical Solitude, or, the Beginnings of the Ciphers F-A-E and Gis-e-la, Katharina Uhde and R. Larry Todd
Submissions from 2017
Practice for Performance for Violin, June Deforest
Preface for Score Edition/Vorwort für die Orchesterpartitur, Katharina Uhde
Rediscovering Joseph Joachim’s ‘Hungarian’ and ‘Irish’ [‘Scottish’] fantasias, Katharina Uhde
Submissions from 2001
The History of Saxophone in St. Petersburg, Russia., Stacy Maugans
